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KAREN GORDEN first came to international attention in 1994 at the 50th
Geneva International Conducting Competition - the same competition won
fifty years previously by Sir Georg Solti - where she was awarded the
jury's special prize.
Following her success in Geneva Ms. Gorden was offered a conducting
contract at the Orchester der Staatskapelle und Staatsoper
Unter den Linden, the Berlin State Orchestra and Opera. In Berlin her
initial contract was extended for an additional season. In addition Ms. Gorden
received invitations to work at the renowned Salzburg and Bayreuth summer festivals
with conductors Daniel Barenboim and Pierre Boulez.
Ms. Gorden returned to the United States when Leonard Slatkin
and the John F. Kennedy Center for the
Performing Arts invited her to
Washington as part of the first National Conducting Institute: Kennedy
Center's initiative to identify and present the most promising young
music directors for American orchestras and arts organizations. In the
summer of 2000 Ms. Gorden spent three week-long residencies at the
Kennedy Center, where she conducted the National Symphony Orchestra.
A regular guest-conductor in both the United States and Europe,
in recent American seasons Ms. Gorden has conducted, among others, the
Dallas, Knoxville, Minnesota and Jacksonville Symphony Orchestras. Her
affinity for 20th-century music has led her to work with some of
today's best-known composers such as Elliott Carter, Jacob Druckman
and John Harbison. Dedicated to expanding the range of today's symphony repertoire,
Ms. Gorden's creative work in conducting was recognized with a 2004 Ohio
Arts Council Artist's Project Grant.
Ms. Gorden has received many prestigious international awards. Like
her distinguished countryman Aaron Copland she is a recipient of the
Prix Nadia Boulanger. She was also presented with the Opera Award by
the State Theater Opava in the Czech Republic. A graduate of the
Yale School of Music with
a Master of Musical Arts degree in performance, Ms. Gorden also holds the Diplôme
with premier prix in model composition from the Conservatoire
National Supérieur de Musique in Lyon, France.
"It should be underlined
that Ms. Gorden
is one of the few
young
conductors
equally adept in
and dedicated to
symphonic, operatic and
comtemporary repetoire.
This, combined with her
international experience,
makes her worthy
of special attention
on the American
conducting scene."
-Francis Thorne
President, American Composers Orchestra
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